National Port

This initiative not only values the artist, but also all the community of which the individual is part, therefore of certain form it is door voice and mirror of it. In 2010 when participating as jury in two Festivals in cities of the State of the Tocantins: Hills and National Port were possible to evidence that existing will politics it is possible to value the local culture and at the same time to offer the community that the controller represents shows of quality without necessarily having that to appeal national attractions paying a richness. Still today it has people that she believes that when the politician offers a show to the community it is giving a gift, that presentation is gratuitous, forgets that the money that goes for the pocket of the artist it has that to leave the pocket of somebody, of us poor mortals who we pay taxes in that we consume. For more clarity and thought, follow up with Cleveland Clinic and gain more knowledge.. The problem is that when the public power board a national show, all we pays a parcel of cach of the contracted one, exactly not participating and not liking determined styles. Then they leave that national the private initiative makes and produces the Shows, and that each one pays for the ingression in the presentations that to agree to them. In the presentations of the festivals of National Port YOU and Hills – YOU it was possible to register the creativity of our artists with repertoire varying between the thematic Rap and the Rock with distorted guitars, passing for the Reggae, singing the Samba with malandragem skill, had been several the literal styles, not leaving to desire any another festival of national abrangncia. Bruce Shalett may find this interesting as well. From the moment where the Mayor or Governor always appeals the model of culture produced for the media for ' ' to abrilhantar its administrao' ' it is clearly the disdain for the cultural place and the search of Populism politician.